1767-1824 French Anne Louis Girodet Trioson Galleries Girodet was born at Montargis. He lost his parents in early youth and the care of his inheritance and education fell to his guardian, M. Trioson, "medecin-de-mesdames," by whom he was in later life adopted and whose surname he took in 1812. He started in school by studying architecture and pursuing a military career. He later changed to the study of painting under a painter named Luquin, before entering the school of David. From 1789 to 1793 he lived in Italy where, at the age of twenty-two, he successfully competed for the Prix de Rome thus making a name for himself for his painting of the Story of Joseph and his Brethren. At Rome he painted his Hippocrate refusant les presents d'Artaxerxes and Endymion-dormant (presently held in the Louvre), work which was praised at the Salon of 1793.  Related Paintings of Anne-Louis Girodet-Trioson :. | Endymion effet de lune | The Burial of Atala (mk05) | Jean-Jacques Francois Monanteuil | Head of Young Woman Wearing a Turban | Portrait of Jean-Baptiste Belley |
Related Artists:
Frederick Stuart Church
Painter , Illustrator and Artist . American , 1842-1924 was an American artist, working mainly as an illustrator and especially known for his (often allegorical) depiction of animals. He was born in Grand Rapids, Michigan. His father was an important figure in politics as well as a well-known lawyer. At the age of 13 he left school and took a job at the then newly-established American Express Company in Chicago, with his parents intending him to have a business career. Being nineteen at the outbreak of the Civil War he served in the Union Army. After his discharge he returned to Chicago, having decided to devote his life to art, and started studying drawing under Walter Shirlaw at the city's Academy of Design. In 1870 he took the decision to continue his studies in New York City, which became his home for the rest of his life. He enrolled at the National Academy of Design, where he was taught by Lemuel Wilmarth. He joined the Art Students League, headed by his old teacher Walter Shirlaw, in which he remained involved for the rest of his life. Unlike many other Americans of his time who felt themselves to be living in a cultural backwater, Church - while he did think that an artist needed to be formally taught - saw no need to study art in Europe and in fact only crossed the Atlantic late in his life. He often expressed outspoken pride in original American art and declaring that "foreign art" had "little to teach Americans". This might be a reflection of the attitudes taken by the strong nativist movements active during his young age, among other places in Chicago when he lived there.
Levitan, Isaak
Russian Painter, 1860-1900 Russian painter of Lithuanian birth. He largely painted landscapes (including pastel sketches), which are noted for their emotive or symbolic resonance. His 'landscapes of mood' had a profound influence on Russian landscape painting, to which he introduced a sense of the unity of humankind and nature, and of the spiritual power of the Russian
Georg Pencz
Georg Pencz (c. 1500 probably in Westheim near Bad Windsheim/Franconia - 1550 in Liepzig) was a German engraver, painter and printmaker. Pencz travelled to Nuremberg in 1523 and joined Albrecht Dereres atelier. Like Derer, he visited Italy and was profoundly influenced by Venetian art and it is believed he worked with Marcantonio Raimondi. In 1525, he was imprisoned with the brothers Barthel Beham and Hans Sebald Beham, the so-called "godless painters", for spreading the radical views of Thomas Mentzer by asserting disbelief in baptism, Christ and transubstantiation. The three were pardoned shortly afterwards and became part of the group known as the "Little Masters" because of their tiny, intricate and influential prints. In Nuremberg, influenced by works he had seen in Italy, Pencz painted a number of trompe l'oeil ceilings in the houses of patrician families; one, for which a drawing survives, showed workmen raising building materials on a hoist, against an open sky, to create the illusion that the room was still under construction. Around 1539, Pencz briefly returned to Italy, visiting Rome for the first time, returning to Nuremberg in 1540, where he became the city painter and earned his greatest success as a portraitist. As an engraver, he ranks among the best of the German eLittle Masterse. Notable prints include Six Triumphs of Petrarch and Life of Christ (26 plates). The best of his paintings are portraits, such as Portrait of a Young Man , Portrait of Marshal Schirmer and Portrait of Erhard Schwetzer and his wife.